Showing posts with label alternative process. Show all posts
Showing posts with label alternative process. Show all posts

Platinum and Palladium Printing, Second Edition Review

Platinum and Palladium Printing, Second Edition
Average Reviews:

(More customer reviews)
This book covers platinum and palladium printing in a very logical, thorough manner. If you have never done Pt/Pd, you will get all the introduction necessary to buy a kit and get started. If you have done some, you can move on fairly quickly to the more advanced topics in the book, and get more out of your printing sessions.
The printing method in this book is not for everyone. The methodology in the book is fairly numerically based, and if you like to work by instinct and intuition, this may not be the right approach for you. However, the discussions of available papers, chemical use and hazzards, and other resources listed in the book are worth the price of admission alone, not to mention the exquisite photographs reproduced in duotone.
The photographs are quite inspirational; Arentz is clearly a master image-maker from the printing perspective, as well as having an eye for composition and subject.
There are other books on platinum printing out there (most notably by Weese and Sullivan) but this book is the one resource I keep going back to again and again.

Click Here to see more reviews about: Platinum and Palladium Printing, Second Edition

Platinum and palladium printing is one of the easiest of the non-silver processes to learn. This guide offers a number of variations, which the photographer can closely control. Photographers interested in learning, or improving upon this process, will find this book an indispensable resource and reference guide. This is an absolute must-have for professional photographers and printmakers.Inside you will find: *The three basic phases of printing: sensitometry, chemistry, and mechanics *Practical information based on the making of over 3,000 platinum and palladium prints, covering everything from making your first print, to the most advanced techniques to challenge experienced printers*Over 50 duotones of the author's platinum and palladium prints and those of five contributorsAlso included for the first time are contributions written by recognized authorities in their fields:*Pyro and Platinum Printing by Bob Herbst*Crafting Digital Negatives by Mark Nelson*Ultraviolet Light Sources by Sandy King*Custom Platinum Printing by Stan Klimek* Practical information based on the making of over 3000 platinum and palladium prints * Includes 50 duotones of Arentz's platinum and palladium prints* Explains sensitometry as applied to the platinum/palladium process

Buy Now

Click here for more information about Platinum and Palladium Printing, Second Edition

Read More...

Photographic Possibilities, Second Edition: The Expressive Use of Ideas, Materials and Processes Review

Photographic Possibilities, Second Edition: The Expressive Use of Ideas, Materials and Processes
Average Reviews:

(More customer reviews)
Although this is a vast improvement over the first edition, I still have reservations about the book. The essays are a bit oversimplified (Such as "Why we take pictures"), which don't seem to understand that the readers of a book about alternative processes are looking a bit deeper into the subject of photography.
Artists such as Robert Parkeharrison and Mike and Doug Starn are mentioned, but I would like to know more about their processes and more importantly, why they believe these techniques are the best medium for their images.
The technical information is well-presented, but there is one glaring omission that I believe is the book's main flaw: lack of color. A comprehensive chapter on toners leaves one frustrated as to what all these formulas look like when applied to a print. There are eight pages of full-color plates, but they mostly illustrate different artist's work, and not the processes that are described.

Click Here to see more reviews about: Photographic Possibilities, Second Edition: The Expressive Use of Ideas, Materials and Processes

Photographic Possibilities, Second Edition continues to provide a reliable source of techniques and ideas for the use of alternative and contemporary photographic processes that photographers have come to depend on. Professional photographers and advanced students seeking to increase their skills will discover modern and classic methods of creating and manipulating images.This practical guide integrates technical methods with the aesthetic outcome.It offers readers clear, step-by-step instructions on historic and on contemporary processes that integrate both the technical information and the aesthetic inspiration needed to create outstanding photographs.This new expanded edition concisely covers the most significant new products, processes, and issues that have effected the practice during the past decade. Two new chapters are exclusively devoted to digital photography, covering the history of digital imaging as well as the latest techniques and practices.Also included is an in-depth discussion on the copyright, which deals with the ethical and conceptual issues surrounding digital imaging that are rapidly changing the world of photography. *New chapter on digital imaging*Features artwork for almost 100 top photographers*Explains key techniques such as Cyanotype, Polaroid transfers, and Photo WeavingWORK CALL FOR NEW EDITION

Buy Now

Click here for more information about Photographic Possibilities, Second Edition: The Expressive Use of Ideas, Materials and Processes

Read More...

Photographic Possibilities, Third Edition: The Expressive Use of Equipment, Ideas, Materials, and Processes Review

Photographic Possibilities, Third Edition: The Expressive Use of Equipment, Ideas, Materials, and Processes
Average Reviews:

(More customer reviews)
Robert Hirsch's Photographic Possibilities, Third Edition, is absolutely fantastic and takes its place as the frontrunner among texts concerned with experimental photography. This new book is wonderfully updated with current information and most importantly; it's a visual and creative feast. The turn of each page is a delight for the eyes, as well as incredible inspiration for trying new techniques, exploring, playing, and taking chances with clear and precise guidance from an expert and venerable writer (See Hirsch's other books: Light and Lens: Photography in the Digital Age--the benchmark of excellence in the new hybrid world of traditional and digital imaging; Seizing the Light: A Social History of Photography- the standard of excellence in the history of photography; and Exploring Color Photography: From the Darkroom to the Digital Studio- the standout book in its field as well).
Photographic Possibilities is the most beautifully illustrated text on experimental photography available today, profusely filled with numerous wonderful images and examples of the many techniques presented in clear chapters; from elegant, antique 19th century contact printing methods like platinum and gum printing, to 21st century step-by-sep procedures using computers and inkjet printers for experimental purposes and creating enlarged negatives. The publisher obviously spent the significant funds required for reproducing every photograph in its required color and spot varnishing each image, producing a truly stunning book of beautiful pictures.
Beyond the inspiring illustrations, another strength of Photographic Possibilities is the quality of the writing. Hirsch has proven his skills in research over many years, regarding practically every facet of photography's technique, aesthetic, and history. This latest edition, vastly updated, is the compilation of all this knowledge, as well as extensive interviews with artists and experts around the world sharing their discoveries with a highly accomplished, respected fellow artist and author. No other text on this subject can match Photographic Possibilities for the clarity of its text, its concise writing, or the beauty of the reproductions.
In the spirit of disclosure, Robert Hirsch has kindly included some of my artwork in this book, but as a university professor who has taught alternative processes in colleges and workshops for over 30 years, I would rave about this innovative book anyway! Photographic Possibilities is the clearest, most inspiring, most concisely written, and most beautifully illustrated book in the field, and is a valuable resource for everyone. All photographers, ranging from enthusiasts to deadly serious fine art professionals will have enough information, and most importantly, enough inspiration to last a long lifetime- if you wear gloves.

Click Here to see more reviews about: Photographic Possibilities, Third Edition: The Expressive Use of Equipment, Ideas, Materials, and Processes

Photographic Possibilities, Third Edition is a marvelously updated resource of innovative and traditional photographic processes that imagemakers have come to trust and depend on to enhance their technical knowledge, create astonishing pictures, and raise their visual consciousness. This concise and reliable handbook provides professional and advanced photography students with practical pathways of utilizing diverse photographic methods to produce engaging, expressive pictures from an informed aesthetic and conceptual position. This update, in full color for this first time, offers new links between analog and digital photography by featuring clear, up-to-date, step-by-step instructions on topics ranging from making ambrotypes and digital negatives to pre-picturemaking activities that utilize a thinking system to visually realize what is in your mind's eye in an effective and safe manner.This edition vividly showcases the thought-provoking work of over 140 international artists including Peter Beard, Dan Burkholder, Carl Chiarenza, Michael Kenna, Dinh Q. Lê, Joe Mills, Andrea Modica, Bea Nettles, France Scully and Mark Osterman, Robert & Shana ParkeHarrison, Holly Roberts, Martha Rosler, Mike and Doug Starn, John Sexton, Brian Taylor, Jerry Uelsmann, and Joel Peter Witkin as well as other major and emerging talents. Image captions explain how each artist technically realized their vision and concept.All technical information and resources have been refreshed to provide the latest data for acquiring the products needed for these processes. Above all, this comprehensive reference provides field-proven know-how, encouragement, inspiration, and a profuse compendium of promising photo-based explorations one can discover and pursue.* Two new chapters bridging digital and analog photography, including a discussion of digital negatives.* Explains key techniques of Photogram, Cyanotype, Photo Weaving, Gum Prints, and more. * Completely revised to include updated resources and the newest information on where to find products or how to replace discontinued products. * Includes breathtaking photographs displaying how artists can apply different approaches with insight and aesthetic concern

Buy Now

Click here for more information about Photographic Possibilities, Third Edition: The Expressive Use of Equipment, Ideas, Materials, and Processes

Read More...